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The Secret Pearl, by Mary Balogh

Free Ebook The Secret Pearl, by Mary Balogh
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Mary Balogh has no equal when it comes to capturing the complex, irresistible passions between men and women. Her classic novel, The Secret Pearl, is one of the New York Times bestselling author’s finest–a tale of temptation and seduction, of guarded hearts and raw emotion…and of a love so powerful it will take your breath away….
He first spies her in the shadows outside a London theatre, a ravishing creature forced to barter her body to survive.
To the woman known simply as Fleur, the well-dressed gentleman with the mesmerizing eyes is an unlikely savior. And when she takes the stranger to her bed, she never expects to see him again. But then Fleur accepts a position as governess to a young girl…and is stunned to discover that her midnight lover is a powerful nobleman. As two wary hearts ignite–and the threat of scandal hovers over them–one question remains: will she be mistress or wife?
- Sales Rank: #441844 in Books
- Brand: Dell
- Published on: 2005-11-29
- Released on: 2005-11-29
- Original language: English
- Number of items: 1
- Dimensions: 6.87" h x 1.18" w x 4.16" l,
- Binding: Mass Market Paperback
- 432 pages
Features
From Booklist
In this Regency tale of two tortured souls who find joy together, Fleur, on the verge of starvation after fleeing a lascivious guardian and murder charges, turns to prostitution on the streets of London. Her first customer is a scarred gentleman who pays her triple after discovering that he has taken her virginity. Then, to her great surprise, Fleur finds employment as the governess to Lady Pamela. How? Her sole customer was Adam Kent, the Duke of Ridgeway. Grievously wounded in war years ago and believed dead, Adam lost his estate and his fiancee to his brother. Finally, he was able to reclaim his position as duke and Sybil as his bride, but he never could regain Sybil's affection. Balogh puts two highly honorable characters into a seemingly impossible situation and keeps the reader guessing the entire time as she manages to finally create a -happily-ever-after ending. Diana Tixier Herald
Copyright © American Library Association. All rights reserved
About the Author
New York Times bestselling, multi-award-winning author Mary Balogh grew up in Wales, land of sea and mountains, song and legend. She brought music and a vivid imagination with her when she came to Canada to teach. There she began a second career as a writer of books that always end happily and always celebrate the power of love. There are over four million copies of her Regency romances and historical romances in print.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
The crowd outside the Drury Lane Theater had dispersed for the night. The last carriage, with its two occupants, was disappearing down the street. Those few theatergoers who had come on foot had long ago set out on their way.
It appeared that only one gentleman was left, a tall man in a dark cloak and hat. He had refused a ride in the last carriage to leave, preferring, he had told his friends, to walk home.
And yet he was not the sole remaining occupant of the street, either. His eyes, as he looked about him, were caught by a figure standing quietly against the building, her cloak a shade lighter than the night shadows--a street prostitute who had been left behind by her more fortunate or alluring peers and who seemed now to have lost all chance of a fashionable customer for the night.
She did not move, and it was impossible to tell in the darkness if she was looking at him. She might have swaggered toward him. She might have moved out of the shadows and smiled at him. She might have hailed him, offered herself in words. She might have hurried away to find a more promising location.
She did none of those things.
And he stood looking at her, wondering whether to begin the solitary walk home he had planned or whether to engage in an unplanned night of sport. He could not see the woman clearly. He did not know if she was young, enticing, pretty, clean--any of those qualities that might make it worth his while to change his plans.
But there was her quiet stillness, intriguing in itself.
She was looking at him, he saw as he strolled toward her, with eyes that were dark in the shadows.
She wore a cloak but no bonnet. Her hair was dressed neatly at the back of her head. It was impossible to tell how old she was or how pretty. She said nothing and did not move. She displayed no wiles, spoke no words of enticement.
He stopped a few feet in front of her. He noted that her head reached to his shoulder--she was slightly above average height--and that she was of slim build.
"You wish for a night's employment?" he asked her.
She nodded almost imperceptibly.
"And your price?"
She hesitated and named a sum. He regarded her in silence for a few moments.
"And the place is close by?"
"I have no place," she said. Her voice was soft, devoid of either the harshness or the cockney accent that he had expected.
He looked at her out of narrowed eyes. He should begin his walk home, make a companion of his own thoughts as he had planned to do. It had never been his way to copulate with a street whore in a shop doorway.
"There is an inn on the next street," he said, and he turned to walk in its direction.
She fell into step beside him. They did not exchange a word. She made no move to take his arm. He did not offer it.
She followed him into the crowded and rowdy taproom of the Bull and Horn and stood quietly at his shoulder as he engaged a room abovestairs for the night and paid for it in advance. She followed him up the stairs, her feet light on the treads so that he half-turned his head before reaching the top to make sure that she was there.
He allowed her to precede him into the room and closed and bolted the door behind him. He set the single candle he had brought up with him in a wall sconce. The noise from the taproom was hardly diminished by distance.
The prostitute was standing in the middle of the room, looking at him. She was young, he saw, though not a girl. She must have been pretty at one time, but now her face was thin and pale, her lips dry and cracked, her brown eyes ringed by dark shadows. Her hair, a dull red in color, was without luster or body. She wore it in a simple knot at the back of her head.
The gentleman removed his top hat and cloak and saw her eyes move over his face and along the ugly scar that began at the corner of his left eye, slashed across his cheek to the corner of his mouth and on down to his chin. He felt all his ugliness, with his near-black unruly hair, his dark eyes, his great aquiline nose. And it angered him to feel ugly in the eyes of a common whore.
He strode across the room, unbuttoned her pale gray cloak, which she had made no move to take off herself, and threw it aside.
Surprisingly, she wore a blue silk dress beneath it, long-sleeved, modestly low at the bosom, high-waisted, unadorned. But the dress, though clean, was limp and creased. A gift from a satisfied customer some weeks before and worn nightly ever since, he guessed.
Her chin lifted an inch. She watched him steadily.
"Take your clothes off," he said, unnerved by her quietness, by her differentness from all the whores he had known in his youth and during his years in the army. He seated himself on a hard-backed chair beside the empty fireplace and watched her with narrowed eyes.
She did not move for a few moments, but then she began to undress, folding each garment as she removed it and setting it on the floor beside her. She was no longer watching him, but kept her eyes on what she was doing. Only when she came to her chemise, her last remaining garment, did she hesitate, her eyes on the floor at her feet. But she removed that too, drawing it up over her head, folding it as she had done her other garments, and dropping it to the top of the pile.
She set her arms loosely at her sides and looked at him again, her eyes steady and expressionless, as they had been before.
She was too thin. Far too thin. And yet there was something about the long slimness of her legs, about the shape of her hips and the too-small waist, about the high firm breasts that stirred the gentleman who watched her. For the first time he was glad of his decision to engage her services. It had been a long time.
"Unpin your hair," he told her.
And she lifted thin arms to do so and bent to set the pins carefully beside the pile of her clothes. Her hair fell over her shoulders and about her face and halfway down her back when she straightened again. Clean, lifeless hair, not red, not blond. She lifted a hand to remove one strand from her mouth, her eyes steady on his.
He felt a surging of lust.
"Lie down on the bed," he told her as he got to his feet and began to undress himself.
She folded the bedclothes back neatly and lay on one side of the bed, her legs together, her arms at her sides, her palms against the mattress. She did not cover herself. She turned her head to one side and watched him.
He undressed completely. He scorned to try to hide himself from a whore, to try to hide the purple and disfiguring marks of the wounds on his left side and left leg, which even in a mirror made him grimace with distaste, and which must repel any stranger not expecting them. Her eyes moved down to them and then returned calmly to his face.
She had courage, this whore. Or perhaps she could not afford to lose even the most repulsive of customers before she had earned her pay.
He was angry. Angry with himself for returning to whoring, something he had given up years before. Angry that he felt self-conscious and ashamed with a prostitute. And angry with her for being so much in control of her feelings that she would not even show her revulsion at his appearance. If she had done so, he could have used her accordingly.
And the thought revolted him and angered him further.
He leaned across her and took her by the upper arms, moving her so that she lay across the bed instead of along it. He grasped her hips and drew her forward until her knees bent over the side of the bed and her feet rested on the floor.
He slid his palms between her thighs and spread her legs wide. He pushed them wider with his knees, bending his legs so that they rested against the side of the bed. And he spread his fingers across the tops of her legs and opened her with his thumbs.
Her eyes were lowered, watching what he did.
He positioned himself and mounted her with one sharp deep thrust.
He heard the sound of shock deep in her throat and watched her bite down on both lips at once and shut her eyes very tightly. He felt all her muscles tense in self-defense. And he waited, standing above her, buried deep in her, watching her with hooded eyes, until the breath came vibrating out of her and she imposed relaxation on her muscles. Her eyes were fixed on his.
He slid his hands beneath her, holding her steady above the mattress as he leaned over her and took the pleasure for which he had employed her. She remained still and relaxed as he moved swiftly and deeply in her, her arms spread across the bed at her sides, her eyes wandering over his facial scar and looking back up into his. Once she looked down to watch what he did to her. Her hair was spread across the mattress to one side of her, where he had moved her across the bed.
He closed his eyes as he released into her, and bowed his head over her until he could feel her breath against his hair. And along with the blessed relaxation he felt the stabbing of a nameless regret.
He straightened up and disengaged himself from her body. He turned away to the washstand opposite the foot of the bed and poured cold water from the pitcher into the cracked bowl, dipped the rag of a cloth into it, squeezed out the excess water, and returned to the bed.
"Here," he said, holding out the cloth to her. She had not moved beyond bringing her legs together. Her feet still rested on the floor. Her eyes were still open. "Clean yourself with this." He glanced down to her bloodstained thighs.
She raised one hand to take the cloth, but it was shaking so out of control that she lowered it to the bed again and turned her head to one side, closing her eyes. He took her hand in his, turned it palm-up, and placed the cloth in it.
"You may dress when you have finished," he said, and he turned his back on her in order to dress himself.
The quiet rustlings behind him told him that she had brought herself under control and was doing as she had been told. And yet when he turned at last, it was to find her trying to do up the three buttons of her cloak with hands that were trembling too badly to accomplish the task. He took the few steps toward her, brushed her hands aside, and did the buttons up for her.
The sheet at the edge of the bed, he could see over her shoulder, was liberally stained with blood. He had ripped her quite effectively.
"When did you last eat?" he asked her.
She straightened her cloak, looking down at it.
"When I ask a question, I expect an answer," he said curtly.
"Two days ago," she said.
"And what did you eat then?"
"Some bread."
"Was it only today you decided to turn to the profession of whore?" he asked.
"No," she said. "Yesterday. But no one wanted me."
"I am not surprised," he said. "You have no idea how to sell yourself."
He took up his hat, unbolted the door, and left the room. She followed him. He paused at the foot of the stairs and looked about the noisy taproom. There was an empty table in a far corner. He turned, took the girl by the elbow, and crossed the room toward it. Any customer who was in his path took one look at him, at his fashionable clothes and harsh, scarred face, and instantly moved to one side.
He seated the girl with her back to the room and took the seat opposite her. He instructed the barmaid, who had followed them to the table and was bobbing curtsies to him, to bring a plate of food and two tankards of ale.
"I am not hungry," the girl said.
"You will eat," he said.
She did not speak again. The barmaid brought a plate on which were a large and steaming meat pie and two thick slices of bread and butter, and he gestured to her to set it before the prostitute.
The gentleman watched the girl eat. It was very obvious that she was ravenous, though she made an effort to eat slowly. She looked about her when her fingers, which still trembled, were covered with crumbs of meat and pastry, but of course it was a common inn and there were no napkins. He handed her a linen handkerchief from his pocket, and she took it after a moment's hesitation and wiped her fingers.
"Thank you," she said.
"What is your name?" he asked.
She finished chewing the bread she had in her mouth. "Fleur," she said eventually.
"Just Fleur?" He was drumming his fingers slowly on the top of the table. He held his tankard of ale in his other hand.
"Just Fleur," she said quietly.
He watched her silently until she had eaten the last crumb on her plate.
"You want more?" he asked her.
"No." She looked up at him hastily. "No, thank you."
"You don't want to finish your ale?"
"No, thank you," she said.
He paid the bill and they left the inn together.
"You said you had no place in which to ply your trade," he said. "Do you have no home?"
"Yes," she said. "I have a room."
"I will escort you there," he said.
"No." She hung back in the doorway of the Bull and Horn.
"How far away do you live?" he asked.
"Not far," she said. "About a mile."
"I will take you three-quarters of a mile, then," he said. "You are an innocent. You do not know what can happen to a woman alone on the streets."
She gave a harsh little laugh. And she hurried along the street, her head down. He walked beside her, experiencing for the first time in his life, though only at second hand, all the despair of poverty, knowing that his own problems, his own reasons for unhappiness, were laughable in comparison with those of this girl, London's newest whore.
Most helpful customer reviews
109 of 113 people found the following review helpful.
One of Balogh's very best; poignant and heartwrenching
By Dr W. Richards
There aren't many writers of historical romances - especially set in the English Regency period - who can make their heroine a prostitute, have the reader know about it right from the start of the book, and not only get away with it, but have the readers on the heroine's side from the beginning. But Balogh's done it, and more than once too. The Secret Pearl opens with Adam, Duke of Raybourne, emerging from the Drury Lane Theatre, parting from his friends, and seeing a sad-looking prostitute standing in the shadows. Something makes him approach her; despite the fact that she isn't throwing out any lures to him at all, he hires her. And, despite the fact that sleeping with prostitutes isn't something he makes a habit of, he takes her to a room in a run-down inn to use her.
This, we find, is Fleur's first night as a prostitute; having gone two days without food and unable to get a job, she has decided to sell the only remaining asset she has: herself. Her client, though, makes the experience almost as bad as it could possibly be: he is clinical and direct about what he wants, and - not knowing that Fleur is a virgin - he hurts her.
Afterwards, Adam does feel some guilt, and he feeds Fleur as well as giving her three times as much money as she asked for. And then he sends his secretary to ensure that she is offered a job - as governess to his daughter. His motives, he assumes, are simply philanthropic: he hates the thought of a gentlewoman down on her luck having to survive on the streets, and he feels guilty for not having realised before it was too late that she wasn't accustomed to her trade.
So Fleur takes up residence in the Duke of Raybourne's estate, delighted to have found a refuge both from her life in London and from the horrors from which she ran in the first place. Until the Duke of Raybourne comes home, and she discovers that he is the same man who fills her nightmares, the man who hurt her, the man who, in her dreams, rapes her nightly. And yet, as the days go by, he is also the man who comforts her, who protects her and who offers her a safe refuge.
And there are many more complications in what is already a complex story: Adam, of course, is married, and he is an honourable man who will not betray his marriage vows, despite his lapse in London - the only time he has ever been unfaithful. And Fleur is running from a murder charge. And her tormentor is even closer than she imagines.
Balogh creates a wonderful, believable portrait of what seems to be an impossible relationship. Adam, appallingly scarred both internally and externally as a result of Waterloo plus private torments, and who was cruelly rough with Fleur when he hired her as a prostitute, does not seem to be the ideal romantic hero - and yet he is, in every way. Fleur, a possible murderer, a prostitute, does not seem to be the ideal heroine, either - and yet she isn't at all what she seems, although she did certainly sell herself on the streets. But how is it possible that she could fall in love with the man who haunts her nightmares? How could a decent, married man fall in love with another woman? But Balogh pulls it off so convincingly that I could barely put the book down.
The Secret Pearl is a classic which will have you reading breathlessly, eager to find out what happens next. It's poignant, heartwrenching and utterly romantic, and it's a classic. I can't for the life of me imagine why Balogh's current publisher hasn't tried to reissue this; it would be yet another best-seller for her. As it is, the best you can do is to buy it second-hand, if you can get hold of it - and that's not easy, because those of us who do have it will NOT let go of it!
67 of 69 people found the following review helpful.
I know why this book won for best regency romance that year
By Lee Haskell
The Secret Pearl is Mary Balogh at her best. The Secret Pearl is romance at it's best! I finished this book last night hours after I should have been asleep. When I can't put the book down like this, I know it's a 5 star read.
Adam is scarred from his battle in Waterloo but he is scarred on the inside too. When this Duke sees a quiet unassuming prostitute standing in the shadows of a theatre, he is drawn to her although he has remained faithful to his marriage vows since he married the current duchess 5 years before. He doesn't know why the prostitute stays on his mind after their fateful night but we find out as he eventually does that he was meant for her and she for him. The prostitute is Fleur, a lady down on her luck or so it would seem. Fate, it seems had let Adam and Fleur down for many years but smiles on Adam and Fleur on this fateful night. Of course Adam and Fleur would disagree then that fate was smiling on them. For that is the night that Fleur decided she was not going to go without food for the 3rd day in a row. She can live or die and she makes her choice to live knowing that the only thing she had to sell at that point was her body. The employment agency had all but laughed in her face when she sought employment without references. She tells Adam that she had been standing there for a day or so but noone else had wanted her. Adam doesn't wonder why as he looks Fleur over and notices her dull scraggly hair, her thin and drawn body, and her dried cracked lips.
Adam and Fleur are complex characters, much more than the usual two dimensional characters we get from your average romance that is churned out every month. Even the villians aren't just evil for the sake of being evil. They are also complex and most have their reasons for their weaknesses.
Adam is not a martyre. Nor is he perfect. He is simply an honorable man. (I don't want to spoil anything for those about to read the book but I don't like men who cheat so don't think you'll have to accept any less in this book if you're of the same nature. When I say honorable, I mean it in every way) Fleur has every reason to believe Adam is a monster based on her first impression of him. The romance is about how Fleur gets to know Adam and he her. But more than anything it's about two people who should have nothing in common but has one main thing in common: Neither have been loved nor cared for in a very long time although they are themselves loving and caring people.
I love it when the man shares his feelings with the love of his life. And I love the way the story is told. You get her side and then his side but it's done so smoothly you don't feel any inturruptions or jerks in the telling of the love story. When he declared his feelings to Fleur and her vision became blurred, so did mine. I'll admit it. I cried. But I cried because it was such a well written book. But Mary always draws me in emotionally like that. And it's not the heavy drepressing felt emotions, the kind that I can only handle now & then. (this is a true romance, not a tear-jerker docu-drama) This is light enough for a warm all over kind of feeling. But don't be misled about this being a complex book as far as reading it goes. There are no prerequisite readings, you don't have to recall your history lessons, you do not have to read the first 100 pages before you get to the real story. This book allows one to escape to a different world that Mary is so good at delivering and as usual, you're already involved in the story from Chapter one.
If you're a Mary addict like I am, then this is a must read for you. This book is definitely one of my top 5 Mary Balogh books from a list of 43 books I've already read of hers. If you're new to Mary, I urge you to get this book and catch up on your sleeping and chores before you start THE SECRET PEARL because you won't be able to put the book down once you start!
34 of 37 people found the following review helpful.
Beautiful!
By CoffeeGurl
Last spring, I read Mary Balogh's More Than a Mistress and loved it, but was disappointed with No Man's Mistress and decided not to bother with Balogh again. However, someone told me about The Secret Pearl and how I should read it because it is a beautiful story that is also quite historically accurate to boot. I couldn't find this so-called gem for a while and gave up. But I bought it the second I heard that the book had been reprinted. My friend had been right! This is one beautiful, tragic, heartbreaking love story of star-crossed lovers and unrequited love with an amazing eye on historical detail. Isabella Fleur Bradshaw has reached her last resort. Having escaped from her home after tragedy strikes, she is starving and penniless and has resorted to the last and most unwanted option: to become a whore. She meets a dark, brooding, scarred gentleman one evening outside a theater. She sells her body for the first and only time. The experience is dark and sordid and one she doesn't wish to repeat again. She especially doesn't want to see the scary scarred man again. But when she accepts the position as a five-year-old girl's governess one week later, she discovers that not only is the scarred man her new employer, but that he is also Adam Kent, the Duke of Ridgeway, husband and father. Seeing him awakens her nightmares from that terrible night and she fears him and is repulsed by him. Slowly, however, she discovers a different side of the duke. Reluctant, these two tortured souls find themselves becoming closer to one another, but they both have secrets, secrets that are worse than breaking the rules of propriety. There are many twists throughout the novel.
As I read this novel, I remembered the reason why I enjoyed More than a Mistress so much -- Balogh's beautiful, fluid prose. She makes you feel the time period and the emotions the characters go through. This is Regency England through and through and at times I felt as though I was reading Jane Eyre. Rules of propriety are brought up a lot in this novel, and some people may find it overwrought, but those were the ways of the time and I for one am glad that Balogh hadn't ignored them. Some authors choose style over substance when it comes time to writing a historical romance novel, and that is why most of said novels only succeed in pulling the reader out of the story. Fleur is kind of frustrating at times. For a large portion of the book, you will read about her fear of Adam and how she thinks that all of his selfless acts are attempts to turn her into his mistress, though that is not the case, for Adam is an honorable man who, aside from that one night, has been faithful to his selfish wife. I understood Fleur's fear and wariness of the duke, for their first encounter is quite dark and awful. In fact, that opening chapter sets quite a dark tone for the novel and that scene of them together at the inn was, as said earlier, sordid (to put some potential readers at ease, Adam does not rape Fleur). But I forgave Adam for his behavior quite soon. Yes, what he does at the inn is hurtful and wrong, but he had his own personal reasons for behaving the way he did. Adam becomes almost a saint in his efforts to make up for his mistake, and his efforts go a long way towards endearing him to the reader, but when you get right down to it, he's too good to be true. Men like that don't really exist. (If only!) But that is what makes him appealing. I wish he had more backbone when it came to handling his wife though. All in all, he is a redeemed hero in more ways than one. The secondary characters -- namely Lady Pamela (Adam's daughter), Sybil (the duchess), and Thomas Kent (Adam's brother) and Matthew (Fleur's obsessed guardian) -- are well-drawn and have many layers and nuances. Matthew, Sybil and Thomas aren't sympathetic characters by a long shot, but they aren't cardboard cutout villains either, not in the slightest. I think readers will love this heart wrenching romance of two star-crossed lovers who fall in love despite numerous obstacles, but readers will also be drawn to the historical aspect of the novel. Mary Balogh is a master storyteller that pulls you into the story and doesn't let go until its final pages. The Secret Pearl is a memorable gem and I look forward to reading more of the author's books. I cannot recommend this book enough!
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