Rabu, 30 September 2015

* Free PDF Going After Cacciato, by Tim O'Brien

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Going After Cacciato, by Tim O'Brien

Going After Cacciato, by Tim O'Brien



Going After Cacciato, by Tim O'Brien

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Going After Cacciato, by Tim O'Brien

"To call Going After Cacciato a novel about war is like calling Moby Dick a novel about whales."



So wrote The New York Times of Tim O'Brien's now classic novel of Vietnam. Winner of the 1979 National Book Award, Going After Cacciato captures the peculiar blend of horror and hallucinatory comedy that marked this strangest of wars. Reality and fantasy merge in this fictional account of one private's sudden decision to lay down his rifle and begin a quixotic journey from the jungles of Indochina to the streets of Paris. Will Cacciato make it all the way? Or will he be yet another casualty of a conflict that seems to have no end? In its memorable evocation of men both fleeing and meeting the demands of battle, Going After Cacciato stands as much more than just a great war novel. Ultimately it's about the forces of fear and heroism that do battle in the hearts of us all.


From the Trade Paperback edition.

  • Sales Rank: #4084966 in Books
  • Published on: 1992-06-02
  • Released on: 1992-06-02
  • Original language: English
  • Number of items: 1
  • Binding: Mass Market Paperback

Amazon.com Review
"In October, near the end of the month, Cacciato left the war."

In Tim O'Brien's novel Going After Cacciato the theater of war becomes the theater of the absurd as a private deserts his post in Vietnam, intent on walking 8,000 miles to Paris for the peace talks. The remaining members of his squad are sent after him, but what happens then is anybody's guess: "The facts were simple: They went after Cacciato, they chased him into the mountains, they tried hard. They cornered him on a small grassy hill. They surrounded the hill. They waited through the night. And at dawn they shot the sky full of flares and then they moved in.... That was the end of it. The last known fact. What remained were possibilities."

It is these possibilities that make O'Brien's National Book Award-winning novel so extraordinary. Told from the perspective of squad member Paul Berlin, the search for Cacciato soon enters the realm of the surreal as the men find themselves following an elusive trail of chocolate M&M's through the jungles of Indochina, across India, Iran, Greece, and Yugoslavia to the streets of Paris. The details of this hallucinatory journey alternate with feverish memories of the war--men maimed by landmines, killed in tunnels, engaged in casual acts of brutality that would be unthinkable anywhere else. Reminiscent of Joseph Heller's Catch-22, Going After Cacciato dishes up a brilliant mix of ferocious comedy and bleak horror that serves to illuminate both the complex psychology of men in battle and the overarching insanity of war. --Alix Wilber

Review
"Simply put, the best novel written about the war. I do not know . . . any writer, journalist, or novelist who does not concede that position to O'Brien's Going After Cacciato."
--Miami Herald

"A novel of great beauty and importance."
--Boston Globe

"Stark . . . rhapsodic. . . . It is a canvas painted vividly, hauntingly, disturbingly by Tim O'Brien."
--Los Angeles Times

"As a fictional portrait of this war, Going After Cacciato is hard to fault, and will be hard to better."
--John Updike, The New Yorker


From the Trade Paperback edition.

From the Publisher
"To call Going After Cacciato a novel about war is like calling Moby Dick a novel about whales." So wrote The New York Times of Tim O'Brein's now classic novel of Vietnam. Winner of the 1979 National Book Award, Going After Cacciato captures the peculiar blend of horror and hallucinatory comedy that marked this the strangest of wars. Reality and fantasy merge in this fictional account of one private's sudden descision to lay down his gun and walk away.

"A major achievement . . . an eloquent meditation on the need of human beings to dream"--The New York Times Book Review.

0553283499

Most helpful customer reviews

0 of 0 people found the following review helpful.
Escape from an unreal reality
By Reader in the Caribbean
A voyage to Paris, how good is that? Compared to being a grunt in Vietnam, I suppose that it is good option.

3 of 4 people found the following review helpful.
Down the Hole and on the Road to Paris
By Terence M. Kelley
Tim O'Brien uses an elaborate three-part structure to tell the story of Paul Berlin, whereby three intertwined arcs combine to tell a soldier's story. The first arc is the most literal, where Paul Berlin is on night watch in a guard tower while his squad mates sleep. Berlin makes a small yet monumental choice: rather than wake his squad mates to perform their shift, he takes the entire night to keep the watch himself and dreams his story about the road to Paris. This second arc, the Road to Paris, takes place mostly in Berlin's mind--but intentionally begs the question, `what is real and what is imagined.' It begins with a real event, Cacciato's desertion, but after a perfunctory chase that concludes with his lieutenant informing headquarters that Cacciato is missing in action, the events of this narrative take place in Berlin's mind.

Shortly after midnight, Berlin wades into the sea and contemplates his guard tower: "an observation post with nothing to observe." What is really under observation is Paul Berlin's experience in the Vietnam War, both how it happened and how it might have happened. Control is a constant motif throughout the novel, whether exerted by Lieutenant Martin ordering the soldiers to certain death in the tunnels, seeking control by chasing Cacciato to return him to the ordered existence of Army life, or the control of Berlin's story.

In the real war, he has no control, but in the guard tower he takes control. Literally, he does not wake the others and return to his rightful sleep; he remains awake, voluntarily assuming the burden of the entire night's watch. Figuratively, takes charge of ordering and explaining events. He asks himself, "what happened, and what might have happened." The Vietnam War exacted a monstrous toll: on the civilians who suffered its wrath, the soldiers on both sides who inflicted this carnage, and even the societies that were irrevocably changed by it. In light of this, O'Brien demonstrates the importance of both these questions.

0 of 0 people found the following review helpful.
A Work of Art
By Steve Cooksey
Magic realism meets the Vietnam War. A fascinatinating read. Best book I have read in last 6 months.

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** Ebook Free Tara Road (Oprah's Book Club), by Maeve Binchy

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Tara Road (Oprah's Book Club), by Maeve Binchy

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Tara Road (Oprah's Book Club), by Maeve Binchy

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Tara Road (Oprah's Book Club), by Maeve Binchy

A Main Selection of the Book-of-the-Month Club

New York Times bestselling author Maeve Binchy has captured the hearts of millions with her unforgettable novels. Binchy's graceful storytelling and wise compassion have earned her the devotion of fans worldwide--and made her one of the most beloved authors of our time. Now she dazzles us once again with a new novel filled with her signature warmth, humor, and tender insight. A provocative tale of family heartbreak, friendship, and revelation,Tara Road explores every woman's fantasy: escape, into another place, another life. "What if..." Binchy asks, and answers in her most astonishing novel to date.

  • Sales Rank: #168666 in Books
  • Color: Multicolor
  • Brand: Dell
  • Published on: 2000-07-18
  • Released on: 2000-07-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.90" h x 1.30" w x 4.20" l,
  • Binding: Mass Market Paperback
  • 656 pages
Features
  • Great product!

Amazon.com Review
Oprah Book Club® Selection, September 1999: Against all odds, two newlyweds manage to buy the house of their dreams. In 1982, property speculation is beginning to be a big, big thing in Dublin--and their street is very much in an up-and-coming part of town. "They laughed and hugged each other. Danny Lynch from the broken-down cottage in the back of beyond and Ria Johnson from the corner house in the big, shabby estate were not only living like gentry in a big Tara Road mansion, they were actually debating what style of dining table to buy." But for its various inhabitants, the street is to become a boulevard of dreams--some broken, others created anew. Maeve Binchy has long proved herself a secure hand at multiple story lines, and over the course of 500 satisfying pages she focuses on Ria; her best friend, Rosemary Ryan, a beautiful, endlessly selfish career woman; Gertie, the battered wife of a drunkard; and several other intriguing women, each of whom has secrets not to be shared. There is even an all-knowing fortune teller who early on hints that Ria will travel and start a successful business--two things she knows are definitely not in the offing.

Yet after our supposedly happy housewife and mother of two is confronted by some inexorable home truths, a chance phone call from America will change her life, forcing her to discard her illusions about men, women, and marriage and start all over again. At the same time, the Connecticut caller, Marilyn Vine, has her own lessons to learn when she and Ria swap houses for the summer. Yet there's nothing remotely preachy about this novel--even the bad guys (and yes, they're usually guys) and beautiful mistresses get to maintain some appeal. Instead, Tara Road is a stirring look at the reality behind our consuming fantasies, and a page-turner to boot. --Siobhan Carson

From Library Journal
Abandoned by her husband, a Dublin woman named Ria meets American Marilyn via the phone, and they end up swapping houses?with surprise results.
Copyright 1998 Reed Business Information, Inc.

From Kirkus Reviews
Once again, Binchy (The Glass Lake, 1995, etc.) memorably limns the lives of ordinary people caught in the traps sprung by life and loving hearts. When Danny Lynch and his young bride-to-be Ria Norris buy No. 16, a large, derelict Victorian house, Tara Road is a rundown Dublin street. Lovingly restored, the house soon becomes a gathering place as neighbors stop by to chat, help out, or eat one of Ria's delicious meals. Ria has loved handsome Danny, a realtor who works for high-flying property tycoon Barney McCarthy, since first meeting him. She enjoys managing her busy domestic life and two children, Annie and Brian; her friends, like Gertie, whose husband beats her; Colm, who's opened a restaurant nearby and worries about his drug-addicted sister; and Rosemary, a beautiful, unmarried businesswoman who owns one of No. 32's new apartments. But the summer when Annie is fourteen and Brian nine, Ria learns that Danny has been dallying with a ``fancy woman,'' now pregnant with his child, and that he wants to marry her. Stunned, Ria impulsively accepts an American womans surprise telephone request to trade houses for the summer. Marilyn, living in New England, is married but still mourning the death of her teenaged son, Dale, and covets time alone. Once ensconced in her Connecticut home, Ria soon makes new friends, finds work as a caterer, and even begins datingwhile also learning the truth about Dale's death. Meanwhile, in Dublin, Ria's pals continue to drop in, at first overwhelming Marilyn, who gradually involves herself in their lives, grows a garden, and discovers one friend's unsuspected betrayal of Ria. The two women, each strengthened by her season abroad, meet briefly before Marilyn flies home. Grateful for one another's support, each feels less heart-sore and more hopeful of happiness ahead. One of Binchy's best. (Book-of-the-month main selection; author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

110 of 119 people found the following review helpful.
DON'T COMPARE MAEVE TO DANIELLE STEELE!
By A Customer
I am giving TARA ROAD three stars because it is not my favorite Maeve Binchy novel - I don't think the secondary characters were developed as well as in some of her other books. Yes, the story has elements of a soap opera, but please don't compare it to anything written by Danielle Steele. I have never been able to get through one chapter of any of her books that have come my way. Okay, I did read MESSAGE FROM NAM, she must have had a ghost-writer. Excuse me, I digress. TARA ROAD is an enjoyable read. The main character, Ria, changes throughout the book, and I really liked her. She seemed very real to me, like a good friend. My only complaint about this book is at times it was a bit slow, and not 100% believable, but so what, it's a novel. The story itself is actually very inspiring, about friendship as well as self-reliance. I definitley recommend TARA ROAD to all Maeve Binchy fans, and for those who've never experienced Maeve, if you like good stories with characters who become like friends, please give her books a try. However, for first time readers of Maeve, you might want to start with ECHOES or EVENING CLASS, which are two of her best!

32 of 32 people found the following review helpful.
Not Quite Sure Why I Liked This Book...
By Anna
I haven't really enjoyed many of Oprah's selections, but decided to give this one a chance anyway. After reading the book, I was sorry it had to end, but at the same time I asked myself, why? It's dificult to put your finger on why the book is great. I didn't find the plot to be overly exciting, but I found that the characters were. I think this book is well worth a read just because you tend to fall in love with the characters and genuinely "care" what happens in their life. Just a nice read; nothing earth shattering.

24 of 25 people found the following review helpful.
I loved this book, too
By L. A. Lucas
I just finished reading this book in three days - I actually got up early on a Saturday morning to continue reading! Sure, it is light reading, and most of it is dialogue with little variation in phrasing or language usage from character to character. (Also, she uses UK terms of speech in the dialogue of the Americans, but I only noticed that because I am an American in a foreign country and am very aware of this difference.) However, with all that said, it is still a good story. I loved the descriptions of the homes and people's varied attachments to them, as well as the exploration of the paths, morals and variety of social relationships that these modern families experienced. The characters and situations are very real and believable - she has captured a good slice of life of women in the 90's. I am left with the inspiration to try an international house swap if the occasion should ever present itself...!

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Senin, 28 September 2015

~ Free PDF Soft Rain: A Story of the Cherokee Trail of Tears, by Cornelia Cornelissen

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Soft Rain: A Story of the Cherokee Trail of Tears, by Cornelia Cornelissen

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Soft Rain: A Story of the Cherokee Trail of Tears, by Cornelia Cornelissen

It all begins when Soft Rain's teacher reads a letter stating that as of May 23, 1838, all Cherokee people are to leave their land and move to what many Cherokees called "the land of darkness". . .the west. Soft Rain is confident that her family will not have to move, because they have just planted corn for the next harvest but soon thereafter, soldiers arrive to take nine-year-old, Soft Rain, and her mother to walk the Trail of Tears, leaving the rest of her family behind. 
 
Because Soft Rain knows some of the white man's language, she soon learns that they must travel across rivers, valleys, and mountains. On the journey, she is forced to eat the white man's food and sees many of her people die. Her courage and hope are restored when she is reunited with her father, a leader on the Trail, chosen to bring her people safely to their new land.
 
Praise for Soft Rain: 
 
"An eye-opening introduction to this painful period of American history."--Publisher's Weekly 
 
"The characters themselves transform a sorrowful story of adversity into a tale of human resilience."--Kirkus Reviews 
 
"This gentle child's-eye view will move readers enormously."--Jane Yolen 

 

  • Sales Rank: #38821 in Books
  • Brand: Yearling
  • Published on: 1999-11-09
  • Released on: 1999-11-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.69" h x .31" w x 5.31" l, .21 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Great product!

From Publishers Weekly
In what PW called "an eye-opening introduction to a painful period of American history," a Cherokee girl recounts the hardships of 1838 leading up to and including the journey along the Trail of Tears. Ages 8-12. (Nov.)
Copyright 1999 Reed Business Information, Inc.

From School Library Journal
Grade 3-5-In the spring of 1838, nine-year-old Soft Rain learns that there will be no more school for the Cherokee children in her North Carolina community. The Tsalagi (as the tribal members refer to themselves) have signed a treaty with the white men and will be moving to new lands in the West. A short time later, soldiers abruptly force Soft Rain and her mother from their home, abandoning the girl's blind grandmother, her dog, and her father and brother out working in the fields. They follow the Trail of Tears, the path taken by 18,000 Cherokee traveling from stockaded holding areas across rivers, valleys, and mountains. Hungry, exhausted, and often ill from the white man's disease, some 4000 people died during the migration. But Soft Rain's story ends more happily; she and her mother miraculously meet up with her father, brother, and an uncle. The author makes clear the hardships these Native Americans endured and the injustice of their exile, but her protagonist remains remarkably positive. Because she has been relatively unaffected, readers may be, too. At one point the grandmother tells a story; at that moment, the book becomes more than just the record of a trip but a glimpse of a disappearing culture. However, there aren't enough of these stories to bring readers closer to this girl and her world. Still, this novel is a readable version of a shameful episode in U.S. history and may find use as a supplement to social studies units.
Kathleen Isaacs, Edmund Burke School, Washington, DC
Copyright 1998 Reed Business Information, Inc.

From Booklist
Gr. 4^-7. The historical facts are authentic in this docu-novel about the forced march west of the Cherokee from their home in North Carolina in 1838, but the writing is flat, with idealized characters, a contrived subplot, and purposive bits of culture and history patched on to the story. All of young Soft Rain's family members are perfectly strong, gentle, and brave, both before the removal and on the march. What will hold readers is the personal drama of the terror from the child's point of view: the white soldiers' invasion of her home, the separation of her family, the brutal roundups, then the long, bitter journey from home. Hazel Rochman

Most helpful customer reviews

26 of 27 people found the following review helpful.
Soft Rain tells of her family's forced journey west.
By A Customer
Soft Rain is a nine year old Cherokee girl living with her family on their little farm in North Carolina. One day at school, Soft Rain is told her people will be "relocated" to Oklahoma. Soft Rain is filled with sorrow at leaving her home. She and her mother are seperated from her father, brother, and grandmother. They endure hunger, hardship, sorrow, and the loss of friends and relatives. Through it all, Soft Rain can only survive by relying on her courage. I highly reccomend this sad, moving book.

3 of 3 people found the following review helpful.
Multicultural Children's Literature
By Michaela Haston
This was a great story to help children understand some of what the Indians went through, I would suggest this story be put in schools.

2 of 2 people found the following review helpful.
Wonderful Historical Fiction...
By Meera Lakhani
I would recommend this book to all the fifth graders out there

who are learning about the Trail of Tears. It helped my child in

fifth who needed to research up on the Trail of Tears, so I'm

sure it could help yours. She highlighted key passages, then

used one of the features on her Kindle Fire HD to view all of her

selected text and write a summary about it. But she did say

that there were some grammatical errors that made it a little bit

of a confusing read. Overall though, she said that it was a

fascinating and very realistic book, and rated it five and a half

stars. I hope this helps!

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Jumat, 25 September 2015

? Ebook Free The Monument, by Gary Paulsen

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The Monument, by Gary Paulsen

It all begins when Rocky follows Mick Strum around town while he sketches its people, animals and graveyard. Mick has been commissioned by Rocky's Kansas town to create a memorial to their war dead.



As Rocky learns to respect Mick and his talents, he helps her to develop her own artistic sensibilities.It all begins when Rocky follows Mick Strum around town while he sketches its people, animals and graveyard. Mick has been commissioned by Rocky's Kansas town to create a memorial to their war dead.



But the townspeople see things in Mick's drawings that they don't want to know or accept about themselves. Can Mick help them accept one monument that will be meaningful to everyone?

  • Sales Rank: #860455 in Books
  • Brand: Yearling
  • Published on: 1993-07-01
  • Released on: 1993-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.69" h x .38" w x 5.19" l, .27 pounds
  • Binding: Paperback
  • 151 pages

From Publishers Weekly
Rocky, an adopted, partly lame teenage girl, tells how a memorial to her small Kansas town's war dead came to be built and how her vision and those of the other residents were altered by the monument's artist. When Rocky first encounters Mick Strum, he is filthy and disheveled, sleeping off a drinking binge in his dilapidated car. But she is magnetically drawn to this unlikely seer and from him learns to observe freshly and to develop an artist's eye. In contrast to Paulsen's customary action-packed adventures, this novel is chiefly about ideas--featuring characters whose primary function seems to be expressing concepts about art and the artistic process. As such, the story has an over-intellectualized, sometimes pedantic air and may disappoint readers hoping for the gritty realism, veracity and raw power of Paulsen's best works. Ages 12-up.
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
Grade 6-9-- Figuring she'll never get adopted because of her caramel-colored skin and crippled leg, Rocky finds herself chosen by Emma and Fred, a kind, indulgent, alcoholic couple from Bolton, Kansas. It's in Bolton that she finds her devoted dog, Python, who leads her to Mick, the rumpled artist hired to design a monument to the town's war dead and the person who changes Rocky's view of life, art, and the world. Through the drawings he makes in order to get a feel for the town's people and history, the citizens of Bolton see themselves and their surroundings in a new light, although they're not sure they like it. As Mick does with his sketches, Paulsen tells the story in quick, deft strokes. The gossip at the grain elevator on a summer day, Rocky's insecurities and toughness, and the varied characters are vividly yet succinctly conveyed. In just three days, Mick breezes into town, turns Rocky on to the power of art, and convinces the people of Bolton that a grove of trees will be an appropriate monument as well as an artistic statement. Avoiding a lot of artistic jargon, Paulsen carries readers along with his (and Mick's) strong images and enthusiasm. A powerful, affecting story with its comments on art and homage. --Susan Knorr, Milwaukee Public Library
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
Paulsen quotes Katherine Anne Porter: ``Art is what we find when the ruins are cleared away.'' In exploring this provocative remark, he reveals much about his own art. Seedy, independent Mick arrives in Bolton, Kansas, to design its Vietnam Memorial. For days, he observes and draws--animals, people, the graveyard--followed by narrator Rocky, a ``caramel- colored'' lame teenager adopted, at nine, by good-hearted Emma and Fred. Enthralled by Mick's art, Rocky realizes that she, too, is an artist; Mick agrees, offering pointers and the respect due a fellow professional. But the town is appalled by Mick's drawings: his telling chalk reveals too much--including Tru (who hired him) in the nude. As Mick anticipated, people react most negatively to what he considers his strongest work. Then, skillfully, he leads them to accept a monument to please everyone: 18 trees, one for each of Bolton's military dead, going back to the Civil War. Rocky calls Bolton ``a microcosm of the world.'' Of course- -but only as seen in the idiosyncratic if wise vision of Mick, who wryly succeeds in giving the town a dignified monument despite itself. He also transforms two lives: Rocky finds a calling; Tru, awakened to her own humanity, joins Mick when he goes. Meanwhile, several ``ruins'' are suggested--wars and bar fights; the lives of Mick, Emma, and Fred (who drink a lot but function well); orphaned Rocky; Mick's rejected drawings. Each gives rise to some sort of art or to a creative relationship; the macho view of the artist lurks, but not offensively. An intriguing, ironic tale, written vividly and with memorable humor. (Fiction. 12+) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A book to remember
By Stefanie A. Anderson
Although it is a simple story, it is probably my favorite Gary Paulsen book so far. It talks a lot about art, but the real point of the book is a minority, handicapped girl who learns how to see life in a new way and discovers that she has a talent of her own. Along with that is a town that comes together to make one decision that will help it heal and then grow together. This book is short and easy to read, but makes a lasting impression.

1 of 1 people found the following review helpful.
The Monument
By A Customer
Gary Paulsen's book "The Monument", is about a small town in Kansas that wants to build a monument to honor the soliders who died in all of the wars. The artist they hire for the job, Mick, makes a special effort to get to know the towns people and he draws everything he sees about the town. Rocky, a young teen takes an interest in art and Mick. As she gets to know Mick, as well as art, she also discovers herself. This book presents an interesting view of art from the artist's point of view and gives the reader insight into human nature.

0 of 0 people found the following review helpful.
The Power of Art in a Young Girl's LIfe
By Carol Bakker
The Monument, a young adult book by Gary Paulsen, is the story of a recently adopted 13 year old girl who encounters an artist, Mick. This friendship changes her life. She looks at her small Kansas town through Mick's eyes and sees everything in a new light. Her leg brace and coffee-colored skin set her apart from the other kids her age so that a tag-along dog she adopted, Python, is her only companion. Mick gives her a book about Degas to study.

The only way to read The Monument is to have Degas' prints beside the book.

Paulsen writes:

But even with that, even with the beauty, I was still trying to work, trying to see the colors and the way Degas had drawn things until I turned the page and just stopped, stopped dead.

It was a painting of a group of young women practicing ballet, called The Dance Master. The wall in the room was green and there was a big mirror on one side for the dancers to see themselves. In the background there is a raised platform or bleachers for people to sit and watch and dancers are everywhere, practicing, stretching, fixing their costumes. On one side there is an older man leaning on a cane--an instructor--and he is watching them, studying them, and still I would have been all right except for the girl.

She was standing to the side of the dancers but almost in the middle of the painting and she is watching them, worried about something, with her hand to her mouth, and I looked at her and started to cry.

She looked like me, or sort of like me, but that wasn't it--at first I didn't know why I was crying. Then I thought of what they were, all of them, dancers, and that all of what they were was gone.

The painting was done in the late eighteen-hundreds. They were all gone. All dead. I wanted to know the girl, wanted to watch them practice. I wanted to see the dresses move and hear the music, wanted to know which ones the dance master picked for performance and if the girl who looked a little like me was one of them. I wanted to talk to them and ask them how it was to wear the costumes and dance and dance and dance without one stiff leg. I wanted to know their dreams and hopes...

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Kamis, 24 September 2015

? PDF Ebook Three Weeks in Paris, by Barbara Taylor Bradford

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Three Weeks in Paris, by Barbara Taylor Bradford

The most romantic city in the world sets the stage for Barbara Taylor Bradford’s dazzling new novel, a spellbinding story of four remarkable women--each at a turning point in her life, each about to be changed forever by.…

Three Weeks in Paris

In Paris, four young women once shared the time of their lives. Now, seven years after they left the prestigious Anya Sedgwick School of Decorative Arts, they are coming back for the eighty-fifth birthday celebration of the school’s founder and grande dame.

Designer Kay Lenox returns with her career soaring and her marriage crumbling. American Jessica Pierce is determined to unravel the baffling disappearance of the man she loved in Paris. Italian Maria Franconi must face the women whose friendship she lost--and her deepest doubts about herself. And Alexa Gordon knows that Paris is still about a man she can’t resist, even as she is about to become another man’s wife.

In Barbara Taylor Bradford’s enthralling tapestry of relationships, choices, and one haunting mystery, four successful women share three weeks in the city that shaped their lives--and where they will now share a second chance.

  • Sales Rank: #1279996 in Books
  • Brand: Dell
  • Published on: 2002-11-26
  • Released on: 2002-11-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.84" h x .73" w x 4.22" l, .39 pounds
  • Binding: Mass Market Paperback
  • 352 pages
Features
  • Great product!

From Publishers Weekly
The bestselling grande dame of popular women's fiction is back with her 18th book, after The Triumph of Katie Byrne. Replete with mystery, romance, secrets and conflict, Bradford's latest examines the lives of four women, alumni of an exclusive arts school in Paris, who must confront their stormy pasts when they are invited to attend a special birthday party. Anya Sedgwick, the indomitable doyenne of the school, wants her four favorite pupils to repair their destroyed friendship and help celebrate her 85th birthday. With the exception of Anya, however, none of the protagonists are the sparkling, unforgettable characters Bradford is usually so adept at crafting. Three of the four women, at the apex of their careers only seven years out of school, seem to blend into each other despite their disparate backgrounds. Alexandra is a renowned set designer; Kay has become a successful couturier; Jessica is a top interior designer; and Maria, whose biggest challenge is to lose a considerable amount of weight before the reunion, is slogging away at the family textile business, with a promising painting career on the side. There is some pathos in Kay's background, but the author glosses over the trauma of early sexual abuse; in fact, most of the tensions in the book are glossed over. Even the spat that tore the four apart is a trifle. But Bradford's knack for depicting elegant surroundings and happy-ever-after romance should satisfy most of her fans.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
In Bradford's latest, four women who became friends and then enemies while studying together in Paris must face one another at a school reunion.
Copyright 2001 Reed Business Information, Inc.

From Booklist
Seven years have passed since former friends Alexandra Gordon, Kay Lenox, Jessica Pierce, and Maria Franconi graduated from the Anya Sedgwick School of Decorative Arts in Paris, but none of them has forgotten the feud that divided them. They are successful in the fields they have chosen, thanks in big part to Anya's tutelage. However, all are troubled by their love lives. Alexandra has just accepted a proposal from one man but continues to dream of another back in Paris. Kay fears she is losing her beloved husband because of her inability to become pregnant. Jessica is in a dead-end relationship and is still puzzled and heartbroken over the mysterious disappearance of her lover seven years ago. Maria is struggling with both her weight and her lack of fulfillment in working for her family's textile business. When the women receive invitations to Anya's eighty-fifth birthday party, they are torn between their desire to celebrate with their beloved teacher and their dread of seeing one another again. Of course, they all end up in Paris to face their pasts and each other. The feud that separated them turns out to be trivial, but watching each woman sort out her love life and find happiness is certainly entertaining. Kristine Huntley
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
PARIS',,,,SPECTACULAR
By Linda C Hall
fabulous story....been to Paris for short time......twice. Want to go and immerse myself for months."
It,s a book fun to read, remembering so many of the places I had seen. And many more to be enthralled with
Would recommend this to several of my friends......one ESP who has lived in France almost 10 years &a visits Paris as often as possible...
I will look for Moore books by this author.

3 of 4 people found the following review helpful.
Mushy and gushy
By A Customer
the grease just drips off of this tome....

1 of 1 people found the following review helpful.
engaging relationship drama
By A Customer
The four young ladies were best of friends while apprenticing at the Paris School of Decorative Arts. However, by the time they graduated, they detested each other. Each went her separate way and quickly succeeded in their chosen endeavor. In New York's theater district, Alexandra Gordon designs sets. In Scotland, Kay Lenox designs clothing. In California, Jessica Pierce conducts interior design. Finally in Italy, Maria Franconi works for her family clothing business.

Less than a decade has passed and now their mentor Anya Sedgewick is the guest of honor at her eighty-fifth birthday celebration in Paris. All four of her former students want to attend, but not see the other three except for some morbid curiosity about their former friends. However, each one would do anything to pay homage to Anya so the quartet converges on Paris for three weeks. Will Paris enable the women to regain paradise lost as the women, though a success, remain unhappy and feel they left something behind during their student days here?

THREE WEEKS IN PARIS is an engaging relationship drama due to Anya serving as a focal point for the other cast members. Anya is a great character who behaves like a Grand Dame teacher. However, in spite of diverse heritage and different current occupations and locations, the female foursome seems interchangeable as none of them stand out from the group. Barbara Taylor Bradford provides a heated tale, but requires one day of reading if the audience is to remember whose whom.

Harriet Klausner

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Jumat, 18 September 2015

!! Fee Download Breaking Loose (Steele Street), by Tara Janzen

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Breaking Loose (Steele Street), by Tara Janzen

SIN AND DANGER COLLIDE WHEN THE WORLD’S HOTTEST SECRET AGENTS COMPETE FOR THE PRIZE EVERYONE’S LUSTING AFTER….

No one’s ever seen it. Everybody wants it. That’s why the government has just unleashed its secret weapon. Drop-dead-gorgeous art dealer Suzi Toussi has been tapped for the toughest mission of her career: to locate the Memphis Sphinx, an ancient artifact rumored to possess otherworldly powers. Tracking it to Paraguay means going up against Dax Killian, the sexy special ops agent who’s planning to snatch the coveted relic right out of her hot little hands. If he can find it first…

Dax first spotted her outside a seedy bar—in three-inch heels and a too-tight dress. He’d know those curves anywhere. But what was Suzi doing in a hellhole like Ciudad del Este? Dax knows the answer: the Sphinx. Suddenly the game is on—and only one of them will walk away with the prize. With the Sphinx surfacing and passion taking Suzi and Dax under, they’re headed for a showdown that could reveal the secrets of the ages…or expose them to the hottest danger of all.

  • Sales Rank: #312878 in Books
  • Brand: Janzen, Tara
  • Published on: 2009-07-28
  • Released on: 2009-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x 1.08" w x 4.17" l, .45 pounds
  • Binding: Mass Market Paperback
  • 416 pages

About the Author
Tara Janzen lives in Colorado where she is at work on her next novel.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One


Ciudad del Este, Paraguay—Saturday afternoon

Sitting at an outside table in front of the Mercado cantina, possibly the slummiest bar in the southern hemisphere, Dax Killian made one more careful checkmark in his notebook, right next to the word "asshole." It was the third such mark he'd made in the last hour—sixty minutes, three assholes.

Not bad.

Things were heating up.

Taking a short swallow of beer, he keyed a number into a small receiver and held it to his ear, tapping back into one of the transmitters he'd planted in the Galeria Viejo down the street.

Three days in this hellhole of a city, with one day left to go, and all Dax really had to show for his efforts was the notebook, and his checkmarks, and an appointment for later tonight that he hoped to hell panned out.

He was ready. More than ready with the deadline looming ever closer—Sunday, tomorrow. Do the deed by then, or have the rest of his life to nurse his regrets. It was a helluva deal. He'd been handed an opportunity here, and he didn't want to fuck it up.

He took another swallow of beer, then popped the last piece of his empanada into his mouth.
Asshole number three was dawdling, taking his sweet time getting to the gallery. Short and dark-haired, dressed in black slacks and a brown polo shirt, he stopped at one of the market stalls bordering the street and looked at a couple of cheap-ass nylon duffel bags.

Maybe he was a guy looking for a deal on cheap-ass nylon duffel bags, but Dax was betting not. He knew a wiseguy when he saw one. A few more moments passed, with the guy moving a couple of stalls closer to the gallery, then he knelt down to tie his shoe, and Dax figured that maybe his ship was about to come in. The man was signaling somebody—somebody with three potential bodyguards now in place on the premises.

Lucky, lucky day, if this thing actually turned into a party.

The two earlier arrivals were still in the gallery's back office with the owner, a thin, harried-looking man given to crumpled linen suits and Panama hats named Remy Beranger. The men were still regaling the French expat with an account of their latest debauchery and the superior quality of the new crop of whores at the club down the street, La Colonia, The Colony.

Whatever. Dax pulled his phone out of a cargo pocket on his pants and pressed a couple of buttons. He could see The Colony from his prime spot in front of El Mercado, and the girls looked as tired and lifeless and bored as any he'd seen, maybe even worse. Regardless, nothing of relevance to the problem at hand had been said in the office since the first two guys had gone in, and Remy Beranger had hardly said a word at all, relevant or otherwise, but that was the nature of surveillance—hours and days of next to nothing, and then bingo.

Lifting the phone to eye level, Dax took a look at the screen, zoomed in, then took the polo shirt guy's photograph. Keying in another sequence sent the photo to his computer in his room at the Posada Plaza, two blocks away. He had quite a little yearbook of gophers, traders, tourists, and customers accumulating on his hard drive in the dumpy room, but no kings, no real movers and shakers, and if they didn't start showing up here pretty damn quick, then he was in the wrong place at the wrong time, and his appointment with Remy Beranger later tonight was going to be one big bust, just him and maybe a couple of no-name hustlers playing patty-cake in Beranger's back room.
He couldn't afford that, to be in the wrong place at the wrong time, not this week. Time was running out. He'd been chasing this damn score for months.

With the photo sent, he returned his attention to his handheld receiver, just in case somebody _decided to talk about something, anything, besides nooky. He'd wired the gallery his first morning in town. Nights in Ciudad del Este tended to be extremely busy, the streets and alleyways rocking and rolling with the transport of illegal everything, but in those quiet couple of hours before sunrise, things settled down, and that's when Dax had accessed a small rooftop patio tucked into the back of the building and broken into a second-floor window to go to work inside.

He took another short swallow of beer, and when the guy stood up and looked down the street, Dax followed his gaze. A black Range Rover bristling with antennas was nosing its way through the crowds, heading for the Old Gallery.

Bingo. Game on.

Dax knew the Range Rover. It belonged to Esteban Ponce, the youngest son of a large, obscenely wealthy family based in Brazil, with Ponce money fueling businesses from one end of South America to the other. According to Dax's intel, Esteban Ponce's "moving and shaking" included a lot of low-end women and upper-end antiquities, especially anything connected with the occult, like maybe something from Egypt's Twelfth Dynasty, possibly a sphinx with rock-crystal eyes that enabled a viewer to see the past, the future, and the present at locations far removed from the statue itself.

Or not.

Dax was a little on the skeptical side of the hocus-pocus equation, but he didn't have to believe. He just had to get the damn thing and deliver it to Sao Paulo, Brazil, by Sunday night, where one crooked piece-of-crap German named Erich Warner was waiting for it, and for his trouble, he'd been guaranteed two names.

That's all he needed, two goddamned names, one of a man, the other of a place, somewhere in Texas, and he'd be good to go. He could call his old Special Forces commander, Colonel Hanson, who'd been kicked up to the E-ring at the Pentagon, and rest a little easier at night, knowing the good guys could chalk up one more win in the war on terrorism.

So here he sat, waiting for his chance with Remy Beranger, hoping to gather some workable information from the afternoon, or some actionable intelligence. Cut a deal or steal the guy blind, either option worked for Dax. He just needed to know the Memphis Sphinx was in play, and where it was—at the gallery, or stashed elsewhere, or worst case, not within a thousand miles of this damn place.

He sure hoped to hell not on that last scenario. There wasn't time to put together another search, and he'd all but guaranteed Warner that the damn thing would be here, this weekend, in Ciudad del Este.

Fortunately, he worked well under pressure . . . quite well. 

No, no, no. No sales, not today, and not tomorrow, Beranger had said, when Dax had shown up at the gallery, flashing his cash. Later, monsieur, in two, maybe three days.

Two or three days hadn't cut it for Dax, though, not on this deal, so he'd pushed until he'd gotten a more workable schedule on the table, knowing guys like Beranger didn't turn down cold cash in U.S. dollars, not unless something was up, like an even bigger score.

Tomorrow night, then, late, Beranger had finally agreed. I have some very nice Moche ceramics I can show you, very nice, the erotic style, just as you wish.

Eighteen-hundred-year-old erotica—Dax couldn't remember ever being in the market for anything stranger, but apparently, for those in the know, Galeria Viejo in Ciudad del Este was the place for acquiring a little ancient pornographic pottery. 

He slipped his hand into the cargo pocket again and pulled out a pack of cigarettes. His lighter came next. Settling a little deeper into his chair, he lit up, and through a thin veil of smoke, watched the Range Rover muscle its way through the crowds of people and vehicles, until it reached a spot in front of the gallery.

Lowering the cigarette, he flicked off the ash and readied the phone in his other hand. One, two, three more bodyguards exited the Rover. Then the boy from Brazil stepped out—Esteban Ponce, tall and noticeably thin, dark hair hanging in a long braid down the middle of his back, expensively dressed with lots of flash, black slacks, white sports coat, red silk shirt, and sporting a long gold chain strung with a crucifix, an Egyptian ankh, and a pentacle, and yeah, Dax figured that should just about cover all the other-world crap that could ruin a guy's day.

Geezus.

Every over-rich, inbred family Dax had ever worked for could lay claim to one of their own as the resident fuckup, and Esteban was the Ponces'. No guts, no brains, no glory, but plenty of time and money on his hands, most of it spent trying to carve a niche for himself in a pack of world-class wolves and jackals.

Personally, Dax doubted if there was much competition for resident Honcho of the Voodoo Hoodoo in the Ponce clan. He took everybody's picture, including a couple of group shots and a zoomed-in close-up on the Range Rover's license plate. While he forwarded all the photos to his computer, the Brazilian contingent moved inside the gallery, leaving two guys to guard the door.

Clamping the cigarette between his teeth, Dax typed in a brief, coded text to Sao Paulo, then returned the phone to his pocket and went back to listening to the handset.

"Senor Ponce, my pleasure. So pleased, so very pleased . . ." Remy Beranger finally came to life, his words verifying Dax's identification of Esteban Ponce, not that he'd needed much verification. He'd started doing his South American homework as soon as he'd realized where the game was heading. "Oh, yes, senor, the others will be here very shortly. Very shortly, indeed."

Others? Dax thought.

Good. Maybe this thing was going to roll.

He took another drag off his cigarette and checked both ends of the street while he exhaled. A silver Mercedes was heading his way, looking promising. The luxury sedan passed him by and kept going almost the length of the block, before it pulled to a stop a couple of cars down from the Range Rover, in front of a bar so seedy it almost made the Mercado look like it had some class. Two men got out of the front. Only one got out of the back—Levi Asher, short, balding, narrow through the shoulders, rumpled, potbellied in a pale blue suit, and sweating like a pig in the heat.

Perfect.

Under any circumstances other than a stakeout, Dax would have grinned. The day was definitely looking up. Levi Asher was exactly the guy Dax had wanted to see in Ciudad del Este, the same way he'd seen him in Milan, and in London, and in that nondescript little spot on the road north of Washington, D.C., the two of them on the same damn trail.

Sonuvabitch. Third-rate Remy Beranger and his fourth-rate gallery had actually scored the Memphis Sphinx, and in the nick of time. Everybody had heard the stories, they knew the legend of what was supposed to happen Sunday night. They'd all just been waiting for the damn thing to show up somewhere, and to a man, everybody Dax had met or dealt with over the past four months of his investigation believed that what was supposed to happen Sunday night, would happen, that the Gates of Time, whatever the hell those were, would open and reveal the secrets of the ages, possibly even the secrets of immortality.

Everybody believed, that is, except Dax. But he got paid to be skeptical. Fortunately, he was very good at that, too.

Yeah, that was him, just one damned fortunate guy.

Erich Warner sure as hell believed in the Sphinx's powers. The guy was desperate to get his hands on the Maned Sphinx of Sesostris III, which in Dax's book made him more than a little unstable on top of already being a psychopathic asshole.

He dropped his cigarette to the pavement and ground it out with his boot, all the while watching a dark blue Land Cruiser ease its way down the street through the crowds.

The Cruiser came to a stop next to Levi Asher's silver Mercedes, and a minor player named Jimmy Ruiz got out from behind the wheel and crossed in front of the car. Dax recognized him as an associate of Remy Beranger's from the file he'd compiled on Galeria Viejo. When Ruiz stopped next to the passenger door and started to open it, Dax set aside his handset and pulled his phone back out of his pocket. Then he reached for his beer. 

There were three things he knew for certain about the Memphis Sphinx: Erich Warner wanted it; Dax was going to get it; and there wasn't a nutcase from here to Cairo who wasn't after it. He already had Asher and Ponce. That was enough to assure him he was in the right place at the right time. Anyone else was either a pure bonus or an unnecessary complication.

Or both.

In spades.

He paused with the beer bottle halfway to his mouth, his gaze riveted to the navy-blue-and-white-striped, peep-toe spectator pump descending from out of the passenger side door of the Land Cruiser. The shoe was elegant, expensive, leather, and handmade, and it encased a sweetly feminine foot whose arched lines extended up a delicate ankle, a silken calf, a slender, cream-colored thigh that hit him where it hurt, all the way up to the leading edge of a tight navy blue dress that wrapped and swirled its way up the most dangerous set of curves Dax had seen since . . . since he didn't remember when.

On second thought, he did remember when.

His gaze narrowed, zeroing in on the woman and cataloguing every square centimeter of her lush female form, every brass button marching down the front of her short cropped jacket, every perfectly tailored fold and sweep of the navy blue dress so lovingly molded to her body, every inch of blindingly white piping accenting the suit, right up to the tortioiseshell sunglasses on her face, and the elegantly broad-brimmed, white Panama hat set at a rakish angle on her head. Her richly colored hair was swept up under the hat, but there were enough silken auburn strands drifting down the nape of her neck to tell him he was in way more trouble than he had bargained for—more than a boatload, more than made sense.

He carefully set his beer back on the table, untouched. There weren't many women built like the one getting out of the Land Cruiser, but he knew one. He knew one with that exact set of cyclone curves and auburn hair.

Geezus.

He didn't believe in the impossible, any more than he believed in the immortal powers of the Sphinx. But there she was, straight out of his dreams, the headliner of his fantasies, the girl who'd stood him up at Duffy's Bar in Denver six months ago, the one whose presence here told him more about her than he'd unearthed in all his months of investigation—and everything it told him set every nerve ending he had on full, redline alert.

Most helpful customer reviews

10 of 10 people found the following review helpful.
High octane romantic adventure
By Susan K. Taylor
Suzi Toussi and Dax Killian are the romantic leads in the latest hit in the Crazy and Loose series. They and a bunch of bad guys are in Paraguay to authenticate, the purported magical and know only in rumors, myth, and stories, Manned Sphinx of Sesostris III. The Sphinx is said to grant: unlimited power; the ability to see the past, future, and present locations remotely; as well as immortality and resurrection when held up into the moonlight on the third full moon in the year of Horus. Easy to see why everyone wants it and will kill to get it, and guess what happening tomorrow night? Yup, that full moon. When the showing to the potential buyers goes bad - mayhem and death ensue - the race is on to find the still missing Sphinx. And so Tara Janzen's trademark twenty four hours of action, romantic adventure and suspense begins. As always the Special Defenses Force team achieves their goals, which may or not be those they have been tasked with...

"Breaking Loose" is the tenth book in this awesome series and is another excellent work of pure entertainment. This book like all the others can be read alone. But, for the full wonderfulness of the adventures and romance featuring these fabulous Steele Street chop shop boys read them all. Tara Janzen delivers her signature style of an action packed, thriller-diller, special ops; romantic adventure and suspense. Her characters are well drawn; there is plenty of romance, and great dialogue as well as fast action. As is true in all these books, the first part is a build up to the ending that goes out with a bang, and this one's a total cliff hanger too! There are interesting side characters, plots and sub-plots, more of past characters and of characters that will star in the next book.

Suzi and Dax were set up as the romantic interest in the previous book ("Loose and Easy"). We last saw them having just missed each other for a breakfast date at the conclusion of the last book's action (about six months ago). They have not seen each other since then, but have been obsessing on each other. They have both indulged their obsession by doing a deep background check on the other, so our information about Suzi and Dax's pasts is revealed via their thoughts, comments, and actions to each other related to this research. That could have been weird, but it worked for me as it helps emphasize their regret about missing the breakfast date, the two ships passing in the night thing, and that they both locked in on the other as "the one". That, great sex, and the HEA are essential for a excellent romance, and this one is that and more.

Although Suzi and Dax are not my most favored of the couples in this series, that does not diminish this book for me at all. Ms. Janzen stays true to form and all the aspect of these books that I love are there. Like, there is a continuing thread about the women's underwear in these books, I think that's cool and I liked what she did with Suzi's underwear. Also, learning about Suzi's rescue projects we get a glimpse of what some of the other Steele Street gals are doing helping with that - a great touch. As these two are cast as operators set to obtain the Sphinx for different ends, we see that dynamic play out as they dodge bullets and connect romantically. Very nicely done.

Ms. Janzen's attention to detail and skill in describing the locations, sights, sounds, and colorful characters (love the transvestites at Dax's hotel) make me feel like I'm there. It's apparent she has done her homework on locations, guns, cars, boats, and jargon; and writes that into the book with a smooth style. Anyone that breezes through her books and misses the details needs to slow down. Of all the series I have read, especially romantic suspense, these stay consistantly within the bounds of the original setting and atmosphere, and the characters ring true in every book.

For those that have read the other books, we get a lot more of our chop shop boys, and it's always a thrill to see them in action. Dylan, Creed, Christian, and Zach are on the job in the area tracking the much damaged Conroy Farrel, who may be the lost J.T. - the most lost chop shop boy ever. At the end, when all the players still standing come together for the final scenes, the interaction between these four over their communications network is a joy to read. One of the best, and must be a classic line, is Dylan's comment to Creed, "Don't worry sweetheart. I'll have you home before dawn."

The next book should be J.T.'s story, and I'm so looking forward to this poor guy getting a happy ending. By the end of "Breaking Loose" we know a lot more about where he has been and have the set-up for where he will have to go to find "his girl".

1 of 1 people found the following review helpful.
Lost interest
By Helen Hancox
Tara Janzen seems to have a pretty efficient book-writing system as she has published several over the last few years in the Steele Street series, most of which I think I've read.

Breaking Loose was the first that I was unable to finish. I gave up halfway, hoping to get some enthusiasm after a break, but whenever I picked the book up again I found my mind wandering.

For this reader at least, the story took ages to get going. Suzi Toussi, our heroine, is sent out to Paraguay to authenticate and recover a Sphinx which has (supposedly) supernatural powers. But Suzi's not the only one after the relic - Dax Killian, whom she met several months before, is also tasked to get it, as are several other characters.

There's a fair amount of action in this story but I found myself really struggling to keep up and even to care about it. Action scenes are great, but they need something more to hold them together than I was finding in this story.

I found I was pretty much bored whilst reading it. Although the locations were interestingly described and there were some good scenes, the overall book just didn't hang together for me and I felt disinclined to spend any more time on it.

Originally published for Curled Up With A Good Book © Helen Hancox 2011

0 of 0 people found the following review helpful.
Another Winner!
By Amazon Customer
The lastest escapades of the Chop Shop boys is another page turner in this fabulously entertaining series. Suzi Toussi, and fairly newcomer, Dax Killian take center stage in the latest installment set in Paraguay. Glimpses of Suzi's traumatic past are revealed and some intriguing connections are exposed while she goes head to head with Dax over a supposedly mystical statue. They match wits against each other while staying one step ahead of the ruthless competition. This book is fast paced and virtually non-stop action! I love the way Ms. Janzen gives each character their own little quirks and picadilloes to make them more real.

The intertwining story in this book is whether or not The Steele Street boys have found one of their own, believed to be lost to them forever. The two stories converge in a hail of bullets and blood, leaving questions that smoothly lay the groundwork for the next much anticipated installment! Another winner from Tara Janzen!

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^ Download PDF The Last Juror: A Novel, by John Grisham

Download PDF The Last Juror: A Novel, by John Grisham

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The Last Juror: A Novel, by John Grisham

The Last Juror: A Novel, by John Grisham



The Last Juror: A Novel, by John Grisham

Download PDF The Last Juror: A Novel, by John Grisham

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The Last Juror: A Novel, by John Grisham

#1 NEW YORK TIMES BESTSELLER

In 1970, Willie Traynor comes to Clanton, Mississippi, in a Triumph Spitfire and a fog of vague ambitions. Within a year, the twenty-three-year-old finds himself the owner of Ford County’s only newspaper, famous for its well-crafted obituaries. While the rest of America is in the grips of turmoil, Clanton lives on the edge of another age—until the brutal murder of a young mother rocks the town and thrusts Willie into the center of a storm.

Daring to report the true horrors of the crime, Willie makes as many friends as enemies in Clanton, and over the next decade he sometimes wonders how he got there in the first place. But he can never escape the crime that shattered his innocence or the criminal whose evil left an indelible stain. Because as the ghosts of the South’s past gather around Willie, as tension swirls around Clanton, men and women who served on a jury nine years ago are starting to die one by one—as a killer exacts the ultimate revenge.

  • Sales Rank: #43086 in Books
  • Brand: Dell
  • Published on: 2012-03-27
  • Released on: 2012-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.49" h x 1.18" w x 4.20" l, .57 pounds
  • Binding: Mass Market Paperback
  • 496 pages
Features
  • Great product!

Amazon.com Review
In 1970, small town newspaper The Clanton Times went belly up. With financial assistance from a rich relative, it's purchased by 23-year-old Willie Traynor, formerly the paper's cub reporter. Soon afterward, his new business receives the readership boost it needs thanks to his editorial efforts and coverage of a particularly brutal rape and murder committed by the scion of the town's reclusive bootlegger family. Rather than shy from reporting on the subsequent open-and-shut trial (those who oppose the Padgitt family tend to turn up dead in the area's swampland), Traynor launches a crusade to ensure the unrepentant murderer is brought to justice. When a guilty verdict is returned, the town is relieved to find the Padgitt family's grip on the town did not sway the jury, though Danny Padgitt is sentenced to life in prison rather than death. But, when Padgitt is released after serving less than a decade in jail and members of the jury are murdered, Clanton once again finds itself at the mercy of its renegade family.

When it comes, the dénouement is no surprise; The Last Juror is less a story of suspense than a study of the often idyllic southern town of Clanton, Mississippi (the setting for Grisham's first novel, A Time to Kill). Throughout the nine years between Padgitt's trial and release, Traynor finds acceptance in Clanton, where the people "don't really trust you unless they trusted your grandfather." He grows from a long-haired idealist into another of the town's colorful characters--renovating an old house, sporting a bowtie, beloved on both sides of the color line, and the only person to have attended each of the town's 88 churches at least once. The Last Juror returns Grisham to the courtroom where he made his name, but those who enjoyed the warm sentiment of his recent novels (Bleachers, A Painted House) will still find much to love here. --Benjamin Reese

From Publishers Weekly
Grisham has spent the last few years stretching his creative muscles through a number of genres: his usual legal thrillers (The Summons, The King of Torts, etc.), a literary novel (The Painted House), a Christmas book (Skipping Christmas) and a high school football elegy (Bleachers). This experimentation seems to have imbued his writing with a new strength, giving exuberant life to this compassionate, compulsively readable story of a young man's growth from callowness to something approaching wisdom. Willie Traynor, 23 and a college dropout, is working as a reporter on a small-town newspaper, the Ford County Times, in Clanton, Miss. When the paper goes bankrupt, Willie turns to his wealthy grandmother, who loans him $50,000 to buy it. Backed by a stalwart staff, Willie labors to bring the newspaper back to health. A month after his first issue, he gets the story of a lifetime, the murder of beautiful young widow Rhoda Kasselaw. After being raped and knifed, the nude Rhoda staggered next door and whispered to her neighbor as she was dying, "Danny Padgitt. It was Danny Padgitt." The killer belongs to an infamous clan of crooked highway contractors, killers and drug smugglers who live on impregnable Padgitt Island. Willie splashes the murder all over the Times, making him both an instant success and a marked man. The town is up in arms, demanding Danny's head. After a near miss (the Padgitts are known for buying themselves out of trouble), Danny is convicted and sentenced to life in prison. As he's dragged out of the courtroom, he vows revenge on the jurors. Willie finds, to his consternation, that in Mississippi life doesn't necessarily mean life, so in nine years Danny is back outâ€"and jurors begin to die. Around and through this plot Grisham tells the sad, heroic, moving stories of the eccentric inhabitants of Clanton, a small town balanced between the pleasures and perils of the old and the new South. The novel is heartfelt, wise, suspenseful and funny, one of the best Grishams ever.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Is this latest thriller from Grisham up to snuff? Or, at least, to his usual level of, err, proficiency? Maybe yes, maybe no. Grisham revisits his old haunting ground--the Deep South of A Time to Kill--to depict the inner workings of a small, insular Southern town. He creates some good characters: an evil bootlegger family, a sleazy lawyer, an immature editor, and a tender black woman, Callie, whose relationship with Willie forms the best part of the novel. Some critics loved the legal suspense. Others cited slow scenes, sloppy dialogue, a clumsy ending, and an incomplete portrait of the racially segregated Clanton. Padgitt's trial is "painful to watch, more painful to read," notes the Oregonian. But maybe we've come to expect too much from the author of The Runaway Jury--so sit back and enjoy.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

84 of 92 people found the following review helpful.
Literate Grisham
By Jason C. Garza
After the travesty that was "King of Torts," John Grisham returns with a novel that appears, on the cover, to be another legal thriller but is, in fact, something else entirely. This is not about courtroom theatrics or terrible murders or greedy, corrupt lawyers seeking justice that will benefit their pocketbooks. No, "The Last Juror" is much, much different than your typical Grisham fare.
It is a story of humanity. John Grisham has entered a new field while treading on familiar territory. He has written something that touches the pulse of the 1970's in Ford County. This is the story of Willie Traynor, newspaper editor, and his friendship with Callie Ruffin, a black woman and mother of eight, and a fledgling newspaper founded on obituaries. Danny Padgitt's actions are known fairly early on, and there truly is no question as to his guilt.
There are some courtroom theatrics here, but they are secondary to the relationship between Willie and Miss Callie; indeed, the courtroom scenes are secondary to the character development and onset of desegregation that the denizens of Ford County are faced with. If anything, "The Last Juror" is the sort of novel one would expect to read in a 20th Century literature class. There is a fair amount of suspense, and there is some criticism of the legal system (70's and current) and of course a bit of preaching, but it all works.
Grisham has crafted one of his best novels and given us a slew of memorable characters; the Ruffin family will stay with you long after completing the novel. As will Willie and the eclectic bunch of "old folks" who dominate the town. Social criticism is also a bit heavy, with the arrival of Bargain City and the Padgitt clan's unsavory vocations. I would hesitate to compare this to such literary giants as "To Kill a Mockingbird" and "Huckleberry Finn," the major theme in "The Last Juror" is similar to that found in both the aforementioned novels, that of racial tolerance and the transendance of boundaries.
But, when the jurors start to fall, you will believe that Danny Padgitt is indeed guilty of fulfilling his promise...but then Grisham wants you to believe it, which makes the ending all the more impactful.
Be wary, diehards and casual fans--this is not your typical John Grisham. It's something better.

71 of 79 people found the following review helpful.
Ahh, the old South and the new
By A Customer
There are so many riviting aspects to this latest Grisham novel that it's hard to know where to begin. First, there is the old vs. the new with regards to the south--how it has changed, is changing, and will change. That in itself is enough for a book and reminds me of other writers who have tackled that slippery slope: McCrae in his Bark of the Dogwood and Conroy in Prince of Tides. But the most intriguing aspect of this Grisham book is his characters. Then again, that's always the most intriguing aspect of his work. In any other writer's hands, the character of Danny Padgitt (how's that for a white trash name?) would be a cardboard cut-out. But in Grisham's he's flesh-and-blood. And Danny literally "gives" the newspaper in the town new life when he commits a murder. As with all media, they love sensationalism, and the Ford County Times--the paper that Willie Traynor now owns--is no exception. Seizing the opportunity, Traynor splashes the gory details all over "the Times" and the result is that he an instant celebrity and also a marked man. Padgitt finally gets his, but not full-out. His life sentence is evidently not quite as "lifelong" as everyone thought, and as soon as he's released, the killing starts. This, all because of his statement to the jury on his way out that he will have his revenge on the jurors. Lovely. Especially if you're one of them. All through this excellent plot, Grisham weaves the lives (or lackthereof) of the colorful characters in the town--yet another aspect of southern writing (again, McCrae or Conroy), and it's really these people that create the landscape and backdrop for this book. The entire novel reads like a well-done combination of Grisham's legal thrillers, his homage to Mississippi (A Painted House), and his foray into small town Southern America. Without a doubt this is his best effort to date.

29 of 30 people found the following review helpful.
I can't resist adding my TWO THUMBS UP!
By Jennifer StAntoine
Last week I finished listening to John Grisham's The Last Juror during my daily commute. I was very impressed. The first notable thing about this story is that while there is some courtroom time, it is NOT about a court case or a lawyer, etc, like many of Grisham's books. Grisham is a fine writer, but in this story about a small southern town and it's very young, very green newspaper editor/writer, he outdid himself. I'll warn that it doesn't have quite as much "excitement" and "suspense" as you occasionally find in his courtroom thrillers. It's more laidback than those, although there is some suspense and a touch of blood and gore. This story is about people. It's about a town that changes over time and the townsfolk who change with it - some with relish and some kicking and screaming. It's about Willie Trainer, the newspaper owner who comes to town, an outsider, buys the newspaper, and over time gains the respect, loyalty and love of the town he serves. The true beauty of this book, though, is the incredible way that Mr. Grisham introduces you to the characters and the townspeople. Each character in this book is a story finely woven. You're not reading/hearing that Joe Blow eats eggs for breakfast and is wearing black pants and a blue shirt. You learn about these people: their past, their present, and you look forward to their future. The writing is masterful in the creation of characters that we care about, are interested in and who shape this story. When I finished the story, I actually left the radio off for the rest of my ride home just so I could think about what a wonderful story it was and how much I enjoyed it.

Following Grisham's other non-courtroom drama's, specifically A Painted House, I see his talent is truly in character development. But, while A Painted House was good, it wasn't like this story. This had a much more satisfying plot, filled with wonderful characters, and an end that was somewhat expected, but that provided an end to a tale and to an era. I recommend this story. The narration was wonderful. Don't go into it expecting the same old Grisham, though. Go into it expecting a good story about people who touch you.

This review is in reference to the unabridged audio version and the narration was excellent on this version. This is definitely a book for the commute.

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