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It all begins when Rocky follows Mick Strum around town while he sketches its people, animals and graveyard. Mick has been commissioned by Rocky's Kansas town to create a memorial to their war dead.
As Rocky learns to respect Mick and his talents, he helps her to develop her own artistic sensibilities.It all begins when Rocky follows Mick Strum around town while he sketches its people, animals and graveyard. Mick has been commissioned by Rocky's Kansas town to create a memorial to their war dead.
But the townspeople see things in Mick's drawings that they don't want to know or accept about themselves. Can Mick help them accept one monument that will be meaningful to everyone?
- Sales Rank: #860455 in Books
- Brand: Yearling
- Published on: 1993-07-01
- Released on: 1993-07-01
- Original language: English
- Number of items: 1
- Dimensions: 7.69" h x .38" w x 5.19" l, .27 pounds
- Binding: Paperback
- 151 pages
From Publishers Weekly
Rocky, an adopted, partly lame teenage girl, tells how a memorial to her small Kansas town's war dead came to be built and how her vision and those of the other residents were altered by the monument's artist. When Rocky first encounters Mick Strum, he is filthy and disheveled, sleeping off a drinking binge in his dilapidated car. But she is magnetically drawn to this unlikely seer and from him learns to observe freshly and to develop an artist's eye. In contrast to Paulsen's customary action-packed adventures, this novel is chiefly about ideas--featuring characters whose primary function seems to be expressing concepts about art and the artistic process. As such, the story has an over-intellectualized, sometimes pedantic air and may disappoint readers hoping for the gritty realism, veracity and raw power of Paulsen's best works. Ages 12-up.
Copyright 1991 Reed Business Information, Inc.
From School Library Journal
Grade 6-9-- Figuring she'll never get adopted because of her caramel-colored skin and crippled leg, Rocky finds herself chosen by Emma and Fred, a kind, indulgent, alcoholic couple from Bolton, Kansas. It's in Bolton that she finds her devoted dog, Python, who leads her to Mick, the rumpled artist hired to design a monument to the town's war dead and the person who changes Rocky's view of life, art, and the world. Through the drawings he makes in order to get a feel for the town's people and history, the citizens of Bolton see themselves and their surroundings in a new light, although they're not sure they like it. As Mick does with his sketches, Paulsen tells the story in quick, deft strokes. The gossip at the grain elevator on a summer day, Rocky's insecurities and toughness, and the varied characters are vividly yet succinctly conveyed. In just three days, Mick breezes into town, turns Rocky on to the power of art, and convinces the people of Bolton that a grove of trees will be an appropriate monument as well as an artistic statement. Avoiding a lot of artistic jargon, Paulsen carries readers along with his (and Mick's) strong images and enthusiasm. A powerful, affecting story with its comments on art and homage. --Susan Knorr, Milwaukee Public Library
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Paulsen quotes Katherine Anne Porter: ``Art is what we find when the ruins are cleared away.'' In exploring this provocative remark, he reveals much about his own art. Seedy, independent Mick arrives in Bolton, Kansas, to design its Vietnam Memorial. For days, he observes and draws--animals, people, the graveyard--followed by narrator Rocky, a ``caramel- colored'' lame teenager adopted, at nine, by good-hearted Emma and Fred. Enthralled by Mick's art, Rocky realizes that she, too, is an artist; Mick agrees, offering pointers and the respect due a fellow professional. But the town is appalled by Mick's drawings: his telling chalk reveals too much--including Tru (who hired him) in the nude. As Mick anticipated, people react most negatively to what he considers his strongest work. Then, skillfully, he leads them to accept a monument to please everyone: 18 trees, one for each of Bolton's military dead, going back to the Civil War. Rocky calls Bolton ``a microcosm of the world.'' Of course- -but only as seen in the idiosyncratic if wise vision of Mick, who wryly succeeds in giving the town a dignified monument despite itself. He also transforms two lives: Rocky finds a calling; Tru, awakened to her own humanity, joins Mick when he goes. Meanwhile, several ``ruins'' are suggested--wars and bar fights; the lives of Mick, Emma, and Fred (who drink a lot but function well); orphaned Rocky; Mick's rejected drawings. Each gives rise to some sort of art or to a creative relationship; the macho view of the artist lurks, but not offensively. An intriguing, ironic tale, written vividly and with memorable humor. (Fiction. 12+) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A book to remember
By Stefanie A. Anderson
Although it is a simple story, it is probably my favorite Gary Paulsen book so far. It talks a lot about art, but the real point of the book is a minority, handicapped girl who learns how to see life in a new way and discovers that she has a talent of her own. Along with that is a town that comes together to make one decision that will help it heal and then grow together. This book is short and easy to read, but makes a lasting impression.
1 of 1 people found the following review helpful.
The Monument
By A Customer
Gary Paulsen's book "The Monument", is about a small town in Kansas that wants to build a monument to honor the soliders who died in all of the wars. The artist they hire for the job, Mick, makes a special effort to get to know the towns people and he draws everything he sees about the town. Rocky, a young teen takes an interest in art and Mick. As she gets to know Mick, as well as art, she also discovers herself. This book presents an interesting view of art from the artist's point of view and gives the reader insight into human nature.
0 of 0 people found the following review helpful.
The Power of Art in a Young Girl's LIfe
By Carol Bakker
The Monument, a young adult book by Gary Paulsen, is the story of a recently adopted 13 year old girl who encounters an artist, Mick. This friendship changes her life. She looks at her small Kansas town through Mick's eyes and sees everything in a new light. Her leg brace and coffee-colored skin set her apart from the other kids her age so that a tag-along dog she adopted, Python, is her only companion. Mick gives her a book about Degas to study.
The only way to read The Monument is to have Degas' prints beside the book.
Paulsen writes:
But even with that, even with the beauty, I was still trying to work, trying to see the colors and the way Degas had drawn things until I turned the page and just stopped, stopped dead.
It was a painting of a group of young women practicing ballet, called The Dance Master. The wall in the room was green and there was a big mirror on one side for the dancers to see themselves. In the background there is a raised platform or bleachers for people to sit and watch and dancers are everywhere, practicing, stretching, fixing their costumes. On one side there is an older man leaning on a cane--an instructor--and he is watching them, studying them, and still I would have been all right except for the girl.
She was standing to the side of the dancers but almost in the middle of the painting and she is watching them, worried about something, with her hand to her mouth, and I looked at her and started to cry.
She looked like me, or sort of like me, but that wasn't it--at first I didn't know why I was crying. Then I thought of what they were, all of them, dancers, and that all of what they were was gone.
The painting was done in the late eighteen-hundreds. They were all gone. All dead. I wanted to know the girl, wanted to watch them practice. I wanted to see the dresses move and hear the music, wanted to know which ones the dance master picked for performance and if the girl who looked a little like me was one of them. I wanted to talk to them and ask them how it was to wear the costumes and dance and dance and dance without one stiff leg. I wanted to know their dreams and hopes...
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